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Mind mapping conceptualisation of light in visual effects compositing (Victor Perez) #CPIT2
Mind mapping conceptualisation of light in visual effects compositing (Victor Perez) #CPIT2
Talk: Mind mapping conceptualisation of light in visual effects compositing (Victor Perez) #CPIT2 Design/Multimídia
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Descrição:

The art of compositing consists in merging two or more images making them look like they have been shot at the same time with the same camera and lenses, under the same lighting conditions. Applying the physics of light in a photo-realistic environment could not always be artistically synthesised in simple formulas or fixed structures due to the complexity of the light phenomena but understanding the journey a ray of light has taken from its source to get to your screen could lead to a more scientific analysis of the image merge process to replicate and emulate the qualities and artefacts of light. In order to log the events in the lifetime of a specific ray of light, Victor Perez proposes a Mind Mapping Analysis Structure to translate the physics of light into mathematical operations within Foundry® NUKE nodal-based compositor. An articulated system of observation to guide compositing artists in the fantastic odyssey into the invisible.



Palestrantes:

Victor Perez - Film director, producer, screenwriter and visual effects artist


Victor Perez is a Spanish film director, producer, screenwriter and visual effects artist with more than 20 year of combined experience, and has worked on a number of Hollywood films, including ‘The Dark Knight Rises’, ‘Rogue One: A Star Wars Story’, ‘Harry Potter and the Deathly Hallows’, plus many more.

Considered a visual effects compositing guru, Victor started his career in the film industry as a photographer and digital compositing artist. He then work on collaborations as 2D technical director and consultant where he developed a combination of both artistic and technical understanding of film postproduction and visual effects from a photorealistic point of view. Today he designs and oversees the process creation of feature film visual effects as VFX Supervisor.

In 2015, Victor delved into the world of film directing, and has written and directed two short films, receiving more than 27 awards and nominations for his debut Another Love (2015). His latest short film ECHO (2017) uses pioneering, never-seen-before motion control technology and was shot in just five long takes. Victor’s passion for story telling combined with his award-winning directing and visual effects artistry has positioned him as an up-and-coming film director and a one-to-watch in the industry.


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